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Michael Orthofer on Why Fiction Matters
27 Jul 2016 32 published claims 2 attributable people
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belief 18preference 6commitment 4uncertainty 2evaluation 2
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32 published records
“To be able to give access to all these different reviews to point readers to — because some readers rely on a certain reviewer — if I can give them the link to that for this book so that they will get an opinion which, perhaps, is more informative to them than mine can be because they don’t see eye to eye with me, I think that’s a very important thing.”
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“As a writer, I feel perhaps overrated, but as a cultural phenomenon, I think perfectly fine. It’s hard to say underrated, because she is sort of the ne plus ultra of children’s writing.”
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“The other is Complete Review. But I think of them as one integrated entity. You review books on a very regular basis, and most of all you review books which are being translated from other languages into English.”
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“I think people absorb it and process it better. And the fact that they watch a lot of TV means they’re good at it.”
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“Again, this is Michael’s book, Columbia University Press, The Complete Review Guide to Contemporary World Fiction. Michael Orthofer, in my opinion still vastly underrated.”
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“I don’t think anything about a cover could convince me that this is a book I must have. I think I will leaf beyond that, but it can get me to pick up the book.”
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“I think there really has been a greater interest in — especially, with smaller publishers who are really interested in publishing translations.”
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“I’m a bit more leery of too much enthusiasm for him — but again, obviously such a significant figure that it’s very difficult to underrate him, I think.”
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“I think there are, probably many which are, let’s say, B novels. Pulp novels, for example, can often be, especially stylistically, improved in translation.”
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“I think surprisingly, even though, perhaps, English is the main literary language of India and a great deal is locally translated, even there much of the vernacular literature still isn’t available in English.”
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“I think there’s a great amount of literature of sort of the first-, second-, third-generation Americans and — but it’s almost all in English.”
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“I think, among the political leaders currently operating in Europe, and especially since we’re speaking shortly after the whole Brexit vote and the turnover that happened in England there, I think she’s probably underrated.”
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“I’m also completely behind him. I think he was a remarkable author I’ve always enjoyed.”
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“I think on the more localized level in the bookstore, you hopefully get that as well.”
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“Basically, you could study literature without reading basically, without reading fiction especially, and more importantly without really engaging in fiction, I think.”
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“I think you’re really missing so much, because the problem is finding what is of value, what is important.”
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“When the argument of the great American novel comes up, I always make a plug for The Confidence-Man, which I think is representative.”
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“The capsule reviews, I think, are a counterbalance to the longer reviews, in which, often, I will be more enthusiastic.”
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“If someone said, “Oh, I think Robert Heinlein is the greatest author ever to have walked on Earth,” that would be considered absurd.”
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“I don’t know that anyone would find anything interesting about me. I don’t know what could possibly — .”
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“I don’t know that I would — I don’t really have a system for picking books myself.”
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“I think so, although New York still remains such a dynamic place because you also have great shifts in what populations come here and how that affects the city, I think.”
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“I think really the experience of the foreign place would be the most benefit, because I think most people really don’t get that, don’t have that opportunity.”
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“I think The Prince is probably my favorite, or The Idiot, as it’s sometimes translated.”
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“I will actually review it even if I do not enjoy the book, even if I have immense problems with the book, because I think that’s just — .”
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“The core — I don’t know if you’d quite call them ideas — but inspirations in those works move people’s lives. But at the margin, given how much you read — and you know, I read a fair amount of fiction, too — how much value is there really for that marginal work of fiction, given the regularity of patterns of stories that we see?”
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“I think that’s one of the wonderful things of going in a bookstore and of being willing to take a chance and pick up something that hasn’t been shoved down your throat, hasn’t been recommended in 15 different publications, because the offerings out there are so rich that you can really find many things just at the extremes.”
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“Basically, when there’s a lot of snow out, I won’t just build a snowman, but I will try to sculpt as much as I can out of the snow. I enjoy doing that because the snow is always different.”
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“I don’t know if I can — I like Amazon because I can get a lot of information out of Amazon, the way the information is presented and, in part, with the reviews, depending on how widely it’s been reviewed.”
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“I think I’ve bought more than a hundred books because of you, so I thank you for that.”
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“I mean, I have to admit that a great deal that I read I don’t get that much out of. And you really — I think one of the reasons I do read as much as I do is because it really takes that whole mass to really find all the different things you’re looking for in it.”
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“It’s been around a long time. And one of the reasons I started it was because I saw how many people were posting book reviews online.”
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