← All source episodes Conversations with Tyler / episode intelligence
Russ Roberts on Vasily Grossman's Life and Fate
25 Nov 2024 30 published claims 2 attributable people
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30 published records
“Well, she doesn’t get a lot of air time, and she isn’t written about a lot. It might have had trouble finding any kind of references to her. As you point out, she plays a very powerful, symbolic role, but she doesn’t take up a lot of pages. I mentioned the essay a minute ago, “The Sistine Madonna.” I asked ChatGPT what it was about, and it totally got it wrong. It said it was about beauty and art. It is not what it is about at all. Claude got it right exactly, which is maybe neither here nor there other than it’s good to have, sometimes, two LLMs to ask questions of. I found my reading of the book was very inconsistent. I struggled in the early pages, as I’ve mentioned, to get my momentum going. When I read Brothers Karamazov, I read it over a fairly long period of time, but the last 300 or 400 pages I read in a couple days because it’s such a page-turner. This book is not a page-turner. As I said, you might get discouraged, but I found myself more, if I may say so, engrossed in it, engrossed in a Grossman novel. There’s almost no or very little narrative suspense. We know how the Battle of Stalingrad turns out. The tide turns. I found it interesting that Novikoff, I think, is part of the lead tank group going into Ukraine. He’s very excited to reclaim Ukraine for the Soviets and take it back from the Germans. It was a slightly eerie shadow of the current moment, but I just kept going. One of my followers on Twitter . . . I apologize to you because this is such a good joke, and we’ll put a link to it in the show notes that don’t have it. But when I said, “We’re reading this book. You should get started. It’s going to air soon,” he wrote back, “I’m on page 12, and all the characters are named Stroganoff. I need more time.” The names are hard.”
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“If I think of Tolstoy a lot in Russian culture — he even says this about Tolstoy, Dostoevsky, Scriabin — it’s fanatical of different sorts.”
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“I think I was overwhelmed by the fact that it seems like most of it could have been written yesterday.”
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“There’s also a part on page 283 where Grossman gives what I think is his intellectual, ideological solution to the whole mess, and of course, he cites Chekhov.”
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“I think what he sees as the fundamental difference is that for him, fascism is ultimately just a philosophy of death.”
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“The machine, for him, eventually becomes all-powerful. It becomes a kind of god and can create humans in its image that are in a way superior, and I think he’s terrified by this.”
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“There is a cast, I would say perhaps five to eight central characters, as well as perhaps three to four central, major themes, so everything is kind of a fugue of characters, a fugue of plot.”
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“In fact, supposedly as people get older — it’s not my personal experience; I’m grateful for that — but a lot of people, when they get older, just get crankier, and they get more obsessed with their obsessions, more fanatical about their fanaticisms. I think I’ve been spared that.”
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“In that sense, I think he’s overwhelmingly, certainly, on the side of the Russians, but I don’t think he has any romance about Communism.”
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“Obviously, we’re living in a moment where the world’s a little different, with the current situation in Israel. But I think the characters in Life and Fate obviously do feel that they are beleaguered.”
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“I think he’s worried about artificial intelligence, and he views it as potentially the new fascism.”
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“Who really is doing right under the eyes of God is highly unclear, I think, in Life and Fate.”
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“I think most ordinary readers — if you just polled them, they would say, “This is depressing.”
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“I think I should have said it’s a bimodal distribution, that you go one way or another.”
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“There’s Dante and Swift and Homer and Huck Finn, which are all about journeys, and he’s taking us on our journey through this war, through this battle, through Soviet and Nazi life. I think that’s another way he thought of the book.”
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“The saner thing to do — and you see this with many people from the progressive left as well — is just to become more moderate, more uncertain, to have better epistemic practices and take a broader swathe of history more seriously, and I think Grossman is doing that.”
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“I don’t agree with every word of it. I don’t know if prescient is the right word, but it was eerie.”
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“I think what he says on this page is true, except for the memory being faultless.”
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“I think anyone listening to what we’ve said so far would say, “Boy, this is a depressing book.”
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“I get an English translation; it’s not funny. I suspect the joke, in fact, was funny.”
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“He says, “The private kindness of one individual towards another, a petty, thoughtless kindness, an unwitnessed kindness, something we would call senseless kindness, a kindness outside any system of social or religious good, but if we think about it, we realize that this private, senseless, incidental kindness is, in fact, eternal.”
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“I think of the man of system, the Adam Smith quote from The Theory of Moral Sentiments, this idea that if you have a view of the world that you want to impose on the chessboard of the human experience, you’re going to do some bad things.”
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“In Life and Fate, Hitler and Stalin make actual appearances in the novel, which I find shocking when I read it, like, here they are on the page, and it’s actually somewhat plausible.”
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“The officers of the church — and here I’m talking about not any particular church but any religious dogma — they’re flawed. They’ve lost the original doctrine that inspired the believers, but the idea of giving up that doctrine is so painful to the adherents that they confess to things they didn’t do because they have to believe that the system, the church, still stands.”
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“When I read Brothers Karamazov, I read it over a fairly long period of time, but the last 300 or 400 pages I read in a couple days because it’s such a page-turner.”
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“As I’ve suggested, you may want to read this on the Kindle, which makes it a little easier to follow the characters because it’s easy to search for them if you forget who they are.”
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“This is where I think we might disagree because I disagree with everything else I’ve read about this book, including the main Grossman biography.”
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“Then something new comes along, and you know how to deal with that because you’ve got this box; you’ve got all these great examples from the past.”
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“There is some war in the book, but that is, I think, a very misleading summary of what the book’s about.”
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“Viktor, yes, you could say he’s the hero or, certainly, center of the novel, but what ends up happening is, Viktor — this is not too much of a spoiler because we know what did happen — ends up helping Stalin build nuclear weapons, and he can’t be too thrilled by that.”
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