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Conversations with Tyler / episode intelligence

Benjamin Moser on the Dutch Masters, Brazil, and Cultural Icons

15 May 2024 18 published claims 2 attributable people

Speakers in the public record

Claim mix

evaluation 6belief 5recommendation 3preference 2prediction 1commitment 1

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Every row below preserves an exact excerpt. Identified speakers are linked; unresolved voices are labeled and excluded from people counts.

Claim ledger

The useful parts, with receipts.

18 published records

01 / preference

I like Ruisdael, I like Van Goyen, but if I were to see 50–60 together, I would start walking rapidly through the rooms, I suspect, and nodding my head and saying, “They’re all nice.

“I like Ruisdael, I like Van Goyen, but if I were to see 50–60 together, I would start walking rapidly through the rooms, I suspect, and nodding my head and saying, “They’re all nice.”
Speaker
Tyler Cowen
Publisher
Conversations with Tyler

07 / belief

I once did a podcast with her, and I think of all the guests we’ve ever had, she produced the greatest number of words and greatest number of words per minute.

“I once did a podcast with her, and I think of all the guests we’ve ever had, she produced the greatest number of words and greatest number of words per minute.”
Speaker
Tyler Cowen
Publisher
Conversations with Tyler

09 / prediction

I think that the idea of free trade — and I know you’re an economist, so you know more about this than I do — but the idea of free trade is, “Let’s just figure out where it’s cheaper to make this.

“I think that the idea of free trade — and I know you’re an economist, so you know more about this than I do — but the idea of free trade is, “Let’s just figure out where it’s cheaper to make this.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

11 / evaluation

It’s going for three or four times the estimate, but half of the paintings are not being sold. That means that whereas, with these contemporary auctions, you have this totally hideous-looking stuff that sells for $50 million, and you think, for $50 million you can buy a lot of Dutch paintings.

“It’s going for three or four times the estimate, but half of the paintings are not being sold. That means that whereas, with these contemporary auctions, you have this totally hideous-looking stuff that sells for $50 million, and you think, for $50 million you can buy a lot of Dutch paintings.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

13 / evaluation

If you go from midtown Manhattan to Brooklyn, you have the same distance [as from Amsterdam to Utrecht]. It’s 40, 45 minutes door-to-door, but it’s much quieter and smaller, even though you also have everything because it’s a university town.

“If you go from midtown Manhattan to Brooklyn, you have the same distance [as from Amsterdam to Utrecht]. It’s 40, 45 minutes door-to-door, but it’s much quieter and smaller, even though you also have everything because it’s a university town.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

14 / evaluation

Then at a very, very, very great distance, you have all the poor people, millions of them. It’s quite disconcerting if you know Brazil because one of the things about Brazil that makes it both scary in certain moments, but also really dynamic in other moments, is that despite the massive class differences — which are humongous, of course, and that has a racial component as well — you’re always quite .

“Then at a very, very, very great distance, you have all the poor people, millions of them. It’s quite disconcerting if you know Brazil because one of the things about Brazil that makes it both scary in certain moments, but also really dynamic in other moments, is that despite the massive class differences — which are humongous, of course, and that has a racial component as well — you’re always quite .”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

15 / recommendation

The Dutch collected him later, really, and there were obsessive Rembrandt collectors who — actually would be a good book for someone to write about the collectors of Rembrandt because some of them were completely bonkers and obsessive, like a lot of collectors.

“The Dutch collected him later, really, and there were obsessive Rembrandt collectors who — actually would be a good book for someone to write about the collectors of Rembrandt because some of them were completely bonkers and obsessive, like a lot of collectors.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

16 / commitment

He is an almost oedipal figure for me, a father figure, someone that I knew very well when I was younger. I venerated him, and I think I became a writer because of him.

“He is an almost oedipal figure for me, a father figure, someone that I knew very well when I was younger. I venerated him, and I think I became a writer because of him.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

17 / evaluation

I think I say it in the book, that if you go through Dutch galleries and museums, if you go through 20 different rooms and actually try to look at all the pictures, you’re going to get completely bored by the end of it because that’s just not the way they’re meant to be looked at.

“I think I say it in the book, that if you go through Dutch galleries and museums, if you go through 20 different rooms and actually try to look at all the pictures, you’re going to get completely bored by the end of it because that’s just not the way they’re meant to be looked at.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler

18 / evaluation

Camille is a complex subject of her own, but she has an idea of herself that she needed to stay in the academy because she felt that teaching and interacting with actual humans was a way of preventing the aristocratic excesses of people like Susan Sontag, which I think is absolutely fair enough.

“Camille is a complex subject of her own, but she has an idea of herself that she needed to stay in the academy because she felt that teaching and interacting with actual humans was a way of preventing the aristocratic excesses of people like Susan Sontag, which I think is absolutely fair enough.”
Speaker
Benjamin Moser
Publisher
Conversations with Tyler
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