01 / belief
I think with very short sentences, you can also be very sparkling, lyrical, magical.
“I think with very short sentences, you can also be very sparkling, lyrical, magical.”
- Speaker
- Lydia Davis
- Publisher
- Conversations with Tyler
Conversations with Tyler / episode intelligence
Speakers in the public record
Claim mix
Evidence policy
Every row below preserves an exact excerpt. Identified speakers are linked; unresolved voices are labeled and excluded from people counts.
Claim ledger
17 published records
01 / belief
“I think with very short sentences, you can also be very sparkling, lyrical, magical.”
02 / belief
“I never translated that long book which I learned Norwegian by reading, but I did translate some short stories by Gunnhild Øyehaug.”
03 / belief
“In my experience, I have not had to, or really wanted to, interview students in person before accepting them into a class.”
04 / belief
“I think George Steiner has a book, which I have not read — I haven’t even opened it — but a book detailing all the books he didn’t write.”
05 / belief
“I think what works well in German and French is, the difference between a very long Proustian sentence and a very short observation fits those two languages well.”
06 / uncertainty
“Oh, yes, absolutely. I don’t know, did Conrad have a great sense of humor? It depends who you think is great in the first place.”
07 / belief
“I think that’s what you mean by a good book to read that a scholar would not necessarily approve of the approach.”
08 / evaluation
“I think of a poem as more lyrical, and I think that’s a test that I can depend on to some extent.”
09 / observation
“If I think about Thomas Bernhard — who also wrote very short stories — he tends to use either a very bad event or some kind of misanthropy to hook the reader.”
10 / commitment
“[laughter] What I decided at a certain point — it’s partly because I have a lot of other things I want to do urgently — at a certain point, I thought I do want to go on translating, but they will all have to be very, very short stories.”
11 / preference
“I like Joseph Cornell, and I like what he was doing and why, but I don’t do collages, and I never have.”
12 / preference
“The fact is that I, as a matter of principle, did not read any secondary material before I started translating Proust, and even now would not want to read a great deal of it.”
13 / evaluation
“I’d hesitate there to blame the translator because I think, usually, it is a time constraint.”
14 / evaluation
“I think the novel I wrote, the one novel, The End of the Story, was meant to give the impression of fragmentation because the narrator was trying to remember incidents, so the memories come back in fragments.”
15 / preference
“That doesn’t mean I would enjoy reading a washing machine how-to manual in French or German and get the same enjoyment. I read two different Peter Handke books in German, just because I wanted to.”
16 / evaluation
“I had a problem a long time ago trying to read Ulysses by Joyce, and started it twice, and finally read it when I lived in Ireland, which made it much easier because I had his context. That too — I suppose because it had different chapters, each of which approached the ongoing story in a very different way — I found that possible too.”
17 / preference
“I really just love foreign languages, which may sound a little dumb because it’s such a blanket statement, but even here at home, I find myself wanting to just break into German or French just for a second.”