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Rebecca F. Kuang

Published podcast speaker

Claims
16
Episodes
1
Shows
1
Named items
1

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book / likes

Pale Fire

“I love Pale Fire. For my birthday this year, one of my friends, Rodrigo, got me this special edition that has the cantos printed on index cards, so you can go through the index cards as you’re reading the narrative proper or the notes on the poem.”

Conversations with Tyler · 24 Jan 2024

Evidence receipt · Source ↗

Claim ledger

What Rebecca said.

16 transcript-backed records

01 / belief

I really resist these broad generalizations of national literatures because you always find a lot more diversity within a genre, within a national literature, than you do differences between two national literatures, I think.

“I really resist these broad generalizations of national literatures because you always find a lot more diversity within a genre, within a national literature, than you do differences between two national literatures, I think.”
Publisher
Conversations with Tyler

03 / belief

I just turned in an essay to British Vogue about all the things I hate about going on book tour, which is the indignities of travel and worrying about making my flights and worrying about showering and composing myself before I come downstairs and say hi to booksellers. I think the thing that makes it all worth it is interactions with readers.

“I just turned in an essay to British Vogue about all the things I hate about going on book tour, which is the indignities of travel and worrying about making my flights and worrying about showering and composing myself before I come downstairs and say hi to booksellers. I think the thing that makes it all worth it is interactions with readers.”
Publisher
Conversations with Tyler

04 / belief

I think another complicating factor is that the internet is so distracting, and it doesn’t encourage us to think in nuance or to slow down or consider multiple sides of a problem.

“I think another complicating factor is that the internet is so distracting, and it doesn’t encourage us to think in nuance or to slow down or consider multiple sides of a problem.”
Publisher
Conversations with Tyler

05 / belief

If you go in thinking that it’s going to be like Jonathan Strange and map precisely onto some historical metaphor, or even have that much of a linear plot, then you may be disappointed. But if you read to be transported, I think, into a different frame of mind, then you come away delighted and enchanted.

“If you go in thinking that it’s going to be like Jonathan Strange and map precisely onto some historical metaphor, or even have that much of a linear plot, then you may be disappointed. But if you read to be transported, I think, into a different frame of mind, then you come away delighted and enchanted.”
Publisher
Conversations with Tyler

07 / belief

To split this psychological burden across two people would mean that not only do we have to clarify our relationships to the text, but we’d also have to clarify our relationships to each other. So yes, we would end up killing each other or getting married, I think, and I’m already getting married, so that’s not interesting to me.

“To split this psychological burden across two people would mean that not only do we have to clarify our relationships to the text, but we’d also have to clarify our relationships to each other. So yes, we would end up killing each other or getting married, I think, and I’m already getting married, so that’s not interesting to me.”
Publisher
Conversations with Tyler

08 / belief

I think Ken’s done a very good job with this simple prose and rendering it elegant without significantly distorting the voice or adding a kind of lyricism that wasn’t there to begin with.

“I think Ken’s done a very good job with this simple prose and rendering it elegant without significantly distorting the voice or adding a kind of lyricism that wasn’t there to begin with.”
Publisher
Conversations with Tyler

09 / evaluation

When I was drafting Babel and doing some research into what technologies existed, what my characters’ lives would have been like, I was at first disappointed to find that I couldn’t rely on shows like Penny Dreadful, things set in the late 19th century because a lot of that stuff had not been invented yet.

“When I was drafting Babel and doing some research into what technologies existed, what my characters’ lives would have been like, I was at first disappointed to find that I couldn’t rely on shows like Penny Dreadful, things set in the late 19th century because a lot of that stuff had not been invented yet.”
Publisher
Conversations with Tyler

10 / evaluation

I say this because, based on conversations with friends who are either part of the HarperCollins Union or folks who are trying to enter the publishing industry and become one of those gatekeepers — one of those people who can decide which manuscripts are valuable, worthy of getting a platform, worthy of being put in front of readers — everyone circles back to the same problem: that it’s nearly an impossible industry to enter unless you have previous connections, and more importantly, inherited family wealth — some situation that lets you live in London or New York without worrying too much about your income because entry-level wages are really so atrocious.

“I say this because, based on conversations with friends who are either part of the HarperCollins Union or folks who are trying to enter the publishing industry and become one of those gatekeepers — one of those people who can decide which manuscripts are valuable, worthy of getting a platform, worthy of being put in front of readers — everyone circles back to the same problem: that it’s nearly an impossible industry to enter unless you have previous connections, and more importantly, inherited family wealth — some situation that lets you live in London or New York without worrying too much about your income because entry-level wages are really so atrocious.”
Publisher
Conversations with Tyler

11 / commitment

This is actually something I need to figure out because I am scaling back significantly from all social media and following people whose opinions I respect.

“This is actually something I need to figure out because I am scaling back significantly from all social media and following people whose opinions I respect.”
Publisher
Conversations with Tyler

12 / preference

Jeanne was very good at explaining to you where structurally things had fallen apart and then stepping back and letting you figure out how to fix it, because you can’t fix it in the voice of somebody who thinks they know their story better than you.

“Jeanne was very good at explaining to you where structurally things had fallen apart and then stepping back and letting you figure out how to fix it, because you can’t fix it in the voice of somebody who thinks they know their story better than you.”
Publisher
Conversations with Tyler

13 / preference

I think I have a slight preference for Ken’s literary style. It might be because he’s also quite an accomplished writer of his original fiction.

“I think I have a slight preference for Ken’s literary style. It might be because he’s also quite an accomplished writer of his original fiction.”
Publisher
Conversations with Tyler

14 / evaluation

I think a lot of this Chinese-language science fiction comes to us mediated by what Ken has decided is interesting, and it occupies that platform and gains an audience — rightfully deserved — because Ken has decided to introduce it to that audience.

“I think a lot of this Chinese-language science fiction comes to us mediated by what Ken has decided is interesting, and it occupies that platform and gains an audience — rightfully deserved — because Ken has decided to introduce it to that audience.”
Publisher
Conversations with Tyler

15 / evaluation

It gets back to a paradigm called world literature, which means a lot of different things. But broadly, when we think about literature is produced in different languages and the movements within those literatures, and we compare them on a global stage and look at what’s gaining a readership, what isn’t, what is moving through translation, what isn’t, and which languages we associate with literary prestige, this is clearly influenced by history, geopolitical movements.

“It gets back to a paradigm called world literature, which means a lot of different things. But broadly, when we think about literature is produced in different languages and the movements within those literatures, and we compare them on a global stage and look at what’s gaining a readership, what isn’t, what is moving through translation, what isn’t, and which languages we associate with literary prestige, this is clearly influenced by history, geopolitical movements.”
Publisher
Conversations with Tyler
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