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John Adams

Published podcast speaker

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14
Episodes
1
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1
Named items
2

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France

“I think that film composers market themselves and basically give directors what they want. And a lot of the taste that even the greatest directors — people like Steven Spielberg — have is just very sentimental and, to me, rather tacky, which is why most of the film score music I like comes from France or Italy, not America.”

Conversations with Tyler · 14 Dec 2022

Evidence receipt · Source ↗

service / likes

Italy

“I think that film composers market themselves and basically give directors what they want. And a lot of the taste that even the greatest directors — people like Steven Spielberg — have is just very sentimental and, to me, rather tacky, which is why most of the film score music I like comes from France or Italy, not America.”

Conversations with Tyler · 14 Dec 2022

Evidence receipt · Source ↗

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What John said.

3 transcript-backed records

01 / preference

For that, my collaborator, Peter Sellars, and I found a lot of texts by women, particularly by Hispanic women from Mexico and Chile, that told first-hand the experience of birth. And I like doing that because Handel’s Messiah, which of course treats the same material, just comes from the Bible.

“For that, my collaborator, Peter Sellars, and I found a lot of texts by women, particularly by Hispanic women from Mexico and Chile, that told first-hand the experience of birth. And I like doing that because Handel’s Messiah, which of course treats the same material, just comes from the Bible.”
Speaker
John Adams
Publisher
Conversations with Tyler

02 / preference

They would be accompanied usually by his longtime collaborator, Blue Gene Tyranny, who played in a sort of light, bluesy, sometimes gospel-style piano. But it was Ashley’s — I don’t know — this very special Americana that you associate with road movies and quiet, anonymous people talking about their relationships or their experiences in a diner or a gas station or an automobile.

“They would be accompanied usually by his longtime collaborator, Blue Gene Tyranny, who played in a sort of light, bluesy, sometimes gospel-style piano. But it was Ashley’s — I don’t know — this very special Americana that you associate with road movies and quiet, anonymous people talking about their relationships or their experiences in a diner or a gas station or an automobile.”
Speaker
John Adams
Publisher
Conversations with Tyler
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