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John Adams

Published podcast speaker

Claims
14
Episodes
1
Shows
1
Named items
2

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France

“I think that film composers market themselves and basically give directors what they want. And a lot of the taste that even the greatest directors — people like Steven Spielberg — have is just very sentimental and, to me, rather tacky, which is why most of the film score music I like comes from France or Italy, not America.”

Conversations with Tyler · 14 Dec 2022

Evidence receipt · Source ↗

service / likes

Italy

“I think that film composers market themselves and basically give directors what they want. And a lot of the taste that even the greatest directors — people like Steven Spielberg — have is just very sentimental and, to me, rather tacky, which is why most of the film score music I like comes from France or Italy, not America.”

Conversations with Tyler · 14 Dec 2022

Evidence receipt · Source ↗

Claim ledger

What John said.

5 transcript-backed records

01 / evaluation

I’ve conducted quite a few of his pieces. They are not, I have to admit, 100 percent satisfying, and I think a lot of that has to do with the fact that Ives never heard these pieces, or hardly ever heard them.

“I’ve conducted quite a few of his pieces. They are not, I have to admit, 100 percent satisfying, and I think a lot of that has to do with the fact that Ives never heard these pieces, or hardly ever heard them.”
Speaker
John Adams
Publisher
Conversations with Tyler

04 / evaluation

In the case of the piece that you mentioned, On the Transmigration of Souls — this was a request from the New York Philharmonic to compose a memorial piece which was going to be performed exactly a year after the World Trade Center attacks on September 11th. It was not an assignment that I was terribly happy about because I had other plans, and it seemed like it was going to be a very difficult subject matter to deal with, this terrible tragedy and all those people who were killed.

“In the case of the piece that you mentioned, On the Transmigration of Souls — this was a request from the New York Philharmonic to compose a memorial piece which was going to be performed exactly a year after the World Trade Center attacks on September 11th. It was not an assignment that I was terribly happy about because I had other plans, and it seemed like it was going to be a very difficult subject matter to deal with, this terrible tragedy and all those people who were killed.”
Speaker
John Adams
Publisher
Conversations with Tyler
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