Dan Houser: belief

Transcript context

…I really love an opportunity for a character to just self-reflect through that technique. But it also changed depending on what you’d done. So it was sort of slightly… It wasn’t as interactive as it could be, but it was slightly interactive, or slightly responsive to what you’d done. So it felt it was still valid video game content, because it was living, up to a point. And I just thought the character, Dr. Friedlander, was just funny, because he was awful. So it was like LA. You’re in therapy. It’s very LA. But it’s also very LA, he wants to write a book and betray you. Which felt like a good, a good twist. And it was… It felt like a Grand Theft Auto therapist. But just like the idea of making the player in a game, and games are intrinsically kind of physical, and, you know, you wa- you walk, you, you punch things, you run around, you drive cars, you shoot people, whatever. There’s these kind of physical fantasies. Trying to put them into a slightly more reflective or metaphysical state for a moment, I think can be really fun. I think, to me, one of the most surprising things about Red Dead Redemption, about video games, that Red Dead Redemption showed is how much value for storytelling is insanely specific, intricate details. In the story, but also visually. It just added to the feeling that the world is real. So I have to ask, what are some of your favorite insanely specific, intricate details in RDR? I can give you some options. The internet’s favorite is horse testicles shrinking in cold weather.…

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