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Lex Fridman Podcast / episode intelligence

#465 – Robert Rodriguez: Sin City, Desperado, El Mariachi, Alita, and Filmmaking

17 Apr 2025 30 published claims 2 attributable people

Speakers in the public record

Claim mix

belief 11uncertainty 6recommendation 5evaluation 3preference 3commitment 1prediction 1

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The useful parts, with receipts.

30 published records

03 / commitment

I said, “I’m going to go there, and I bet I’ll learn more about directing by watching this guy paint, than I will by watching another director.

“I said, “I’m going to go there, and I bet I’ll learn more about directing by watching this guy paint, than I will by watching another director.”
Publisher
Lex Fridman Podcast

08 / uncertainty

I don’t know shit about cameras and you roll in and then there’s all the experts almost talking down to you and telling you how things are supposed to be.

“I don’t know shit about cameras and you roll in and then there’s all the experts almost talking down to you and telling you how things are supposed to be.”
Speaker
Lex Fridman
Publisher
Lex Fridman Podcast

16 / belief

I think you’ve spoken about that filmmakers, especially early on in their journey, critics and the audience can destroy them, meaning it creates too much of a burden, too much, just wear them down to where they’re almost scared to be creative.

“I think you’ve spoken about that filmmakers, especially early on in their journey, critics and the audience can destroy them, meaning it creates too much of a burden, too much, just wear them down to where they’re almost scared to be creative.”
Speaker
Lex Fridman
Publisher
Lex Fridman Podcast

19 / uncertainty

I remember it was take eight, start doing this slow zoom on him. And I’m like, I hope I get all the way up to where it stops zooming when he finishes that speech, because there’s no set way, and I don’t know how he’s going to say it.

“I remember it was take eight, start doing this slow zoom on him. And I’m like, I hope I get all the way up to where it stops zooming when he finishes that speech, because there’s no set way, and I don’t know how he’s going to say it.”
Publisher
Lex Fridman Podcast

20 / belief

You are just a fan enjoying the scene when it’s done well. But I think there’s an aspect, if I were to put myself in the headspace of the actor, they want you as the audience to earn that happiness.

“You are just a fan enjoying the scene when it’s done well. But I think there’s an aspect, if I were to put myself in the headspace of the actor, they want you as the audience to earn that happiness.”
Speaker
Lex Fridman
Publisher
Lex Fridman Podcast

22 / evaluation

I wrote a paper for a Latin American studies class, gave it to the teacher and he said, “Wow, you’re going to be rich and famous in four years based on what I read.

“I wrote a paper for a Latin American studies class, gave it to the teacher and he said, “Wow, you’re going to be rich and famous in four years based on what I read.”
Publisher
Lex Fridman Podcast

23 / preference

I started just doing my own visual effects like that early on because I knew technology was changing so fast that I would need to just know how to do it like a magician.

“I started just doing my own visual effects like that early on because I knew technology was changing so fast that I would need to just know how to do it like a magician.”
Publisher
Lex Fridman Podcast

24 / preference

You just come up with creative solutions better, easier because you were just solving crazy creative solutions in the other one, what paint medium do I use?

“You just come up with creative solutions better, easier because you were just solving crazy creative solutions in the other one, what paint medium do I use?”
Publisher
Lex Fridman Podcast

25 / recommendation

Read the manuals, take the lessons. It frees you up because then you can go do like I just showed you in that demo, you are able to now be a technical person and creative and then you’re unstoppable.

“Read the manuals, take the lessons. It frees you up because then you can go do like I just showed you in that demo, you are able to now be a technical person and creative and then you’re unstoppable.”
Publisher
Lex Fridman Podcast

26 / recommendation

You’ll get to it a lot faster with a filter. That’s the beauty of a filter is that now you’ve just shrunk your target and now you can hit that target and people are coming up with ideas because now they’ve got proximity and they’ve got a reason to come up with the idea and they’ve got a deadline, which is the best thing you can do is have a deadline because when you have a deadline, you can freaking move mountains.

“You’ll get to it a lot faster with a filter. That’s the beauty of a filter is that now you’ve just shrunk your target and now you can hit that target and people are coming up with ideas because now they’ve got proximity and they’ve got a reason to come up with the idea and they’ve got a deadline, which is the best thing you can do is have a deadline because when you have a deadline, you can freaking move mountains.”
Publisher
Lex Fridman Podcast

27 / recommendation

Just start doing the action and it’s going to come through and the ideas will come and the answers will come because it’s not you. And if you can take your ego out of life, you’ll be blessed with this never ending flow of ideas because don’t take ownership for it and know that if it’s not coming out, it’s because you’re just clogging it because this thing’s got endless ideas.

“Just start doing the action and it’s going to come through and the ideas will come and the answers will come because it’s not you. And if you can take your ego out of life, you’ll be blessed with this never ending flow of ideas because don’t take ownership for it and know that if it’s not coming out, it’s because you’re just clogging it because this thing’s got endless ideas.”
Publisher
Lex Fridman Podcast

29 / prediction

So I’m still going to have more elements to show how you can do camera tricks and stuff with no money. And the old days make it for less than $7,000, which I think were like $5,000 mainly because I had a lot of actors I wanted to pay, but the movie itself can make it for nothing.

“So I’m still going to have more elements to show how you can do camera tricks and stuff with no money. And the old days make it for less than $7,000, which I think were like $5,000 mainly because I had a lot of actors I wanted to pay, but the movie itself can make it for nothing.”
Publisher
Lex Fridman Podcast

30 / recommendation

” So I was like, I guess I got the best job. But then I started working with my kids when we did, I had a TV show called Rebel Without a Crew based on that, where I found filmmakers who had only made a short film that hadn’t made a feature.

“” So I was like, I guess I got the best job. But then I started working with my kids when we did, I had a TV show called Rebel Without a Crew based on that, where I found filmmakers who had only made a short film that hadn’t made a feature.”
Publisher
Lex Fridman Podcast
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