book / built
Interpreter of Maladies
“So I wrote Interpreter of Maladies; that was my first book. I called it that — I heard the title in this strange flash.”
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book / built
“So I wrote Interpreter of Maladies; that was my first book. I called it that — I heard the title in this strange flash.”
book / uses
“These writings were collected in a book called The Last Diary, which I read. They’re almost like little fragments, epigrams, some of these little entries.”
book / uses
“I read The Great Gatsby that year. And the following year I was introduced to Hardy, who has become so important to me as well.”
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17 transcript-backed records
01 / recommendation
“I read The Great Gatsby that year. And the following year I was introduced to Hardy, who has become so important to me as well.”
02 / recommendation
“So I wrote Interpreter of Maladies; that was my first book. I called it that — I heard the title in this strange flash.”
03 / recommendation
“These writings were collected in a book called The Last Diary, which I read. They’re almost like little fragments, epigrams, some of these little entries.”
04 / uncertainty
“I don’t know. I hate to make these kind of sweeping generalized comments. I don’t believe in them.”
05 / belief
“Merwin, Mark Strand — you have examples of people who translate and make that part of their creative work, but relatively few fiction writers stop to think about it or engage with it. I think my knowledge of Italian writers has opened up something.”
06 / uncertainty
“Yeah, I talk a little bit in this little essay about being drawn to certain books just because there’s some allure, appeal, something I’m projecting, something the book is projecting, something I’m projecting onto the book, some relationship I want to have with the book because it’s — I don’t know — some landscape I want to find myself in someday, or I don’t know.”
07 / belief
“I think . . . I’m not going to get into any trouble. [laughter] Any more trouble than I’m already in.”
08 / belief
“Pavese wrote very much in the autobiographical vein and did things that, again, I think now, “Oh, it’s fashionable when the writer becomes a character,” and “Oh, we all write about ourselves,” and there’re a lot of memoirs.”
09 / disagreement
“A very prolific author of short stories and novels, of some very incisive short stories about domestic life and classified — unfairly, I think — as a writer for women, which I don’t think she is at all.”
10 / evaluation
“Not about who he is but maybe how we project, how we like to project sameness onto other people to make them more comfortable to us and to dilute the sense of difference.”
11 / evaluation
“Of course the difference between her and myself is that she always had an antagonistic relationship with French, even though she went out of her way to learn it and to express herself in it because she was living in Switzerland, and she felt that she couldn’t really function as a writer without expressing herself in French.”
12 / recommendation
“There’s a beautiful exhibit there right now. It’s not that far; I really do recommend it.”
13 / evaluation
“You know, there’re so many books now about grief and the loss of a loved one and what that means.”
14 / preference
“If I had that freedom, if I had that ability, I would be such a happy — it would make going to museums even more exciting because I would always be thinking, “Oh well, maybe this, maybe that.”
15 / preference
“Yeah, I prefer this kind of cover because to me, there’s a protective quality to the lack of specificity, and the belonging to the series, which is what Europe .”
16 / evaluation
“If I didn’t have this response to literature, then these writers wouldn’t have fed and inspired me the way they did because there would’ve been a “barrier” between their experiences and their times and mine, and that shouldn’t be the case.”
17 / commitment
“I was talking to a group of students before this larger conversation about how even in English I started out with that same trepidation. And I don’t want to lose touch with that unease, because I think that’s important.”