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David Robertson

Published podcast speaker

Claims
13
Episodes
1
Shows
1
Named items
0

Claim ledger

What David said.

5 transcript-backed records

01 / evaluation

In the ’47 version, he sanctions, which I think was probably because he would also like to conduct it, because you make money conducting, and so, he turned it into eighth note equals eighth note, and I find this is a very sad way of doing things.

“In the ’47 version, he sanctions, which I think was probably because he would also like to conduct it, because you make money conducting, and so, he turned it into eighth note equals eighth note, and I find this is a very sad way of doing things.”
Speaker
David Robertson
Publisher
Conversations with Tyler

02 / evaluation

I think that because he doesn’t wear, or never wore, his emotion on his sleeve in any way that many people — and also with this extraordinary emphasis on precision that was connected with his performing One of the headlines in a New York paper announcing his arrival at the New York Philharmonic was “The Iceman Cometh.

“I think that because he doesn’t wear, or never wore, his emotion on his sleeve in any way that many people — and also with this extraordinary emphasis on precision that was connected with his performing One of the headlines in a New York paper announcing his arrival at the New York Philharmonic was “The Iceman Cometh.”
Speaker
David Robertson
Publisher
Conversations with Tyler

03 / evaluation

What this means is that, similar to what happened in poetry in the 20th century and in our century, all of a sudden, it feels as if the rules which we used to be able to hold onto when we were listening to something that was new and with which we were unfamiliar, are suddenly broken down, and it feels like a free-for-all.

“What this means is that, similar to what happened in poetry in the 20th century and in our century, all of a sudden, it feels as if the rules which we used to be able to hold onto when we were listening to something that was new and with which we were unfamiliar, are suddenly broken down, and it feels like a free-for-all.”
Speaker
David Robertson
Publisher
Conversations with Tyler

04 / evaluation

In some of the other languages that I’ve learned later, as a young adult and an adult, I can tell you specifically where I learned, which train platform I was standing on when someone corrected me, and I learned this word in this language for the first time, but in my mother tongue, there’s no way I can go back and say when I learned “water.

“In some of the other languages that I’ve learned later, as a young adult and an adult, I can tell you specifically where I learned, which train platform I was standing on when someone corrected me, and I learned this word in this language for the first time, but in my mother tongue, there’s no way I can go back and say when I learned “water.”
Speaker
David Robertson
Publisher
Conversations with Tyler

05 / evaluation

One is, when Boulez founded this group, he made it so that each one of the players was considered a soloist. It was an ensemble of 31 soloists, and their contract was modeled on the soloist’s contract in an orchestra, which is usually closer to two-thirds of the time so that they’re not playing every single piece every single week because they need the time to keep themselves, like a great sports player, a tennis player, or a gymnast, in top form.

“One is, when Boulez founded this group, he made it so that each one of the players was considered a soloist. It was an ensemble of 31 soloists, and their contract was modeled on the soloist’s contract in an orchestra, which is usually closer to two-thirds of the time so that they’re not playing every single piece every single week because they need the time to keep themselves, like a great sports player, a tennis player, or a gymnast, in top form.”
Speaker
David Robertson
Publisher
Conversations with Tyler
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