Tal Wilkenfeld: evaluation

Transcript context

…With no responsibility, really. Other than to really deeply connect with this grief that I’m experiencing. I’m not going to negate it. I’m going to really fully connect to it. And I did, and it was tough. And then more people in 2017 were leaving. Gregg Allman, Tom Petty. I mean, these are people, I worked with all these people and had great connections with them, and they were all going, and the world was mourning the loss of these people because of everything that they’d given to the world. They’d changed the world’s lives, not just mine because I knew them personally. And so that was also complicated. And why, for me, it was interesting to be grieving the loss of these musicians with comedians. And I learned a lot. It changed my life. I learned to laugh at absolutely anything, everything. I mean, my grandpa had a really great sense of humor too. My grandpa was a Holocaust survivor, and he could just laugh at anything. And so I already kind of have that in me. But being around all these comedians just kind of exaggerated that for me, and that really changed things for me for the better. So then when Jeff Beck died, it was like, “Okay, I’ve got these tools. I know what this is and I’m going to go through it again, and I’m going to be on tour with Incubus in two days.” So Mike Dirnt from Green Day, he called me up and he said, “Hey, I know you’re going through a lot.” And I said, “I don’t even know what I’m going to play. I really want a vintage jazz bass for this, and I only have a seventies one that I don’t really think is appropriate. I really need a sixties one, blah, blah, blah.” And Mike’s like, “I’m going to hook you up.” He showed up to my place the next day with a truckload of old P basses and jazz basses and brought them all into my studio, and I’m playing them. And then I pull one out of the case and it’s Olympic White, just like Jeff Beck and I play it. And not only did I get goosebumps and started crying, but I looked over at Mike and same thing was happening, and he’s like, “I guess Jeff might be happy about this.” And he’s like, “Well, I didn’t want to let this one go. I was just trying to cheer you up a bit and maybe loan it to you for the tour, but if you really want it’s yours.” And I was like, “Oh my God, this is… Mike Dirnt is the nicest guy ever.” So that happened. So that bass’ name is Jeff, and it’s a white jazz bass, and I played it on the Incubus tour. But yeah, I do feel like I’m more equipped to handle grief now. Tell me about the Comedy Store a little bit more. Do you think comedians and musicians in some deep fundamental way are made from the same cloth? Are they spiritually connected somehow?…

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