Tal Wilkenfeld: preference

Transcript context

…But that’s a pretty long phase. The technical skill required to really play an instrument. For some people it’s a long thing, and some people it’s short. It very much varies. It might have to do with how you learn and getting to know your strengths in learning. More oral, or is it more… What’s your strength and playing off of those strengths. So for me, like I was saying earlier, it was just an intuitive thing that I knew. I can feel when my brain is full that it needs processing time. And so I listened to that. I don’t push past it, even if it’s one minute and I do something, I’m like, okay. Silence. And then I come back and I trust that it’s going to be there and it is there. So just trusting yourself I think is really important. Trusting that you know better than anybody else is going to know you. So that’s the kind of thing with teachers that can be either really, really helpful and great or really not great. I’m primarily self-taught. I’ve had amazing mentors of all walks of life, and I think I’m unbelievably blessed that my mentors are some of my favorite musicians on Earth, whether it’s Leonard Cohen or Jeff Beck or Wayne Shorter, whoever these people are, they are my favorite musicians. So not everyone has that opportunity, but what the opportunity that we have now that I didn’t have when I was starting is that everything’s on YouTube. Every interview with every genius. You don’t need to necessarily have these people in person now. I mean, and then I’ll say to that, yes and no. I agree with myself, and then I don’t agree with myself. And the reason is I do believe that there is something that happens when you’re in person with a master in some cases, that there is something transferred that is not intellectual, it’s not spoken, it’s something else that happens, that can happen, that I’ve experienced, and I really value that. And I think that applies to specific disciplines and also generally. I’ve been around Olympic gold medalists just to hang out with them for several days, and there’s something about greatness. There’s a way about them that permeates the space around them. You kind of learn something from it, even if you don’t practice that particular discipline, there’s something to it if you’re able to see it. I also like what you said about the playing stuff in your head, that it forces you to not be lost in the physical learning of the instrument. I think that’s one of the things I probably regret a little bit. So I play both piano and guitar, and I’ve become quite, over the years, technically proficient at the instruments.…

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