Mikey Shulman: preference

Transcript context

…Yeah, excellent. I mean, it sounds like there's a lot of exciting stuff on your roadmap. I'm very much looking forward to sort of the infinite DJ mode, because then I can just kind of play that while I work. I would love to get your overall takes, like kind of zooming out from Suno itself, just your overall takes on the music generation landscape. Like, what should people know? I think you obviously have spent a lot more time on this than others. So in my mind, you shout out Volley and the other sort of Google type work in your read in Bark. What should people know about what Google is doing? What Meta is doing? Meta released Seamless recently, an audio box. And how do you classify the world of audio generation in the broader sort of research community? I think people largely break things down into three big categories, which is music, speech and sound effects. There's some stuff that is crossover, but I think that is largely how people think about this. The old style of doing things still exists, kind of single purpose models that are built to do a very specific thing instead of kind of the new foundation model approach. I don't know how much longer that will last. I don't have like tremendous visibility into, you know, what happens in the big industrial research lab before they publish. Specifically for music, I would say there's a few big categories that we see. There is license-free stock music. So this is like, how do I background music, the B-roll footage for my YouTube video or for full feature production or whatever it is. And there's a bunch of companies in that space. There's a lot of AI cover art. So how do I have, how do I cover different existing songs with AI? And I think that's a space that is particularly fraught with some legal stuff. And we also just don't think it's necessarily the future of music. There is kind of net new songs as a new way to create net new music. That is the corner that we like to focus on. And I would say the last thing is much more geared toward professional musicians, which is basically AI tools for music production. And you can think many of these will look like plugins to your favorite DAW. Some of them will look like, you know, the greatest stem splitter that the market has ever seen.…

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