Lex Fridman: prediction

Transcript context

…Sounds good. To me, the story that we’ve been talking about… It is both exciting if the mainstream archeology narrative is correct and the one you’re constructing is correct. Both are super interesting because the mainstream archeology perspective means that there’s something about the human mind from which the pyramids/these ideas spring naturally. You place humans anywhere. You place them on Mars. It’s going to come out that way. That’s an interesting story of human psychology that then becomes even more interesting when you evolve out of Africa with homo sapiens, how they think about the world. That’s super interesting. Then, if there’s an ancient civilization/advanced civilization that explains why there’s so many similar types of ideas that spread, that means that there’s so much undiscovered still about the spring of these ideas of civilization that come. To me, they’re both fascinating. I don’t know why there’s so much infighting. I think it’s partly territorial. I cannot speak of all archeologists, but some archeologists feel very territorial about their profession. They do not feel happy about outsiders entering their realm, especially if those outsiders have a large platform. I’ve found that the attacks on me by archeologists have increased step-by-step with the increase of my exposure. I wasn’t very interesting to them when I just had one minor bestseller in 1992 with a book called The Sign and the Seal. But when Fingerprints of the Gods was published in 1995 and became a global bestseller, then I started to attract their attention and appear to have been regarded as a threat to them. That is the case today. That is why Ancient Apocalypse Season 1 was defined as the most dangerous show on Netflix. It’s why the Society for American Archeology wrote an open letter to Netflix asking Netflix to reclassify the series of science fiction. It’s why they accused the series of antisemitism, misogyny, white supremacism, and… I don’t know, a whole bunch of other things like that, that have nothing to do with anything that’s in the series. It was like, “We must shut this down. This is so dangerous to us.” There are many more dangerous things in the world than a television series going on right now. But maybe it was seen as a danger to archeology, that this non-archeologist was in archeological terrain and being viewed and seen and read by large numbers of people. Maybe that was part of the problem. Human nature being what it is, I noticed that two of my principal critics, John Hoopes from the University of Kansas and Flint Dibble, who’s now teaching at the University of Cardiff in Wales in the UK, are both people who like to have media exposure. John Hoopes has just recently started a YouTube channel. Flint Dibble has had one for quite a while. A pretty small number of followers. I think that they feel that they should be the ones who are getting the global attention and that it’s not right that I am and that the best way to stop that is to stop me, to shut me down, to get me canceled and basically requiring Netflix to relabel my series from a documentary to a science fiction, which is what they actually had the temerity to suggest to Netflix.…

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