Tal Wilkenfeld: belief

Transcript context

…That it’s maybe easier sometimes to define a musical genre by the don’ts than the do’s, the don’ts, than the do’s. What are the don’ts of jazz and rock? What are the don’ts of jazz fusion? What are the don’ts? At any domain of life, what are the don’ts? The don’ts is just to please leave your fear at the door and your do’s is to be open to anything and open your ears, respond to what’s happening now. I think that quote you’re talking about might have been more about an individual musician’s unique sound, because everyone has their sound. If they’ve developed their voice and they’ve listened to their own aesthetic preferences, of which everyone is slightly different, everyone has slightly different likes and dislikes, then you’ll have a unique sound on your instrument. And your unique sound is defined more by the choices you make rather than… I mean, it’s equally as defined by the choices you make and the choices you don’t make. I mean, it’s the flip side of the same coin, really? Yeah. There’s certain musicians you can just tell. It’s them just, you hear a few notes and you’re like, okay, it’s them. Tone, sometimes it’s tone. Sometimes it’s the way they play a rhythm.…

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