Mikey Shulman: commitment

Transcript context

…Yeah, that makes sense. And then in terms of some of... We had our monthly recap last month, and the data wars were kind of one of the hot topics. You saw the New York Times lawsuit against OpenAI, because you have obviously large language models in production. You don't have large music models in production. So I think there's maybe been less of a trade there, so to speak. How do you kind of think about that? There's obviously a lot of copyright-free, royalty-free music out there. Is there any kind of power law in terms of like, hey, the best music is actually much better to train on, or in music does it not really matter because the structure of some of the musical structure is kind of the same? I don't think we know these things nearly as well as they're known in text. We have some notions of some of the scaling laws here, but I think, yeah, we're just so, so far behind. You know, what I will say is that people are always surprised to learn that we don't only train on music. And I usually give the analogy of some of the code generation models, so take something like Code Llama, which is, as far as I know, the best open source code generating model. You guys would know better than I would. It's certainly up there. And it's trained on a bunch of English, not only just code. And it's because there are patterns in English that are going to be useful. And so, you can imagine, you don't only want to train on music to get good music models. And so, for example, one of the places that we are particularly bad is vocals and capturing really realistic vocals. And so, you might imagine that there's other types of human vocals that you can put into your model that are not music that will help it learn stuff. And so, again, I think it's like super, super early. I think we've barely scratched the surface of what are the right ways to do this. And that's really cool. From a progress perspective, there's like a lot of low-hanging fruit for us to still pick. And then, once you get the final model, I would love to learn more about the size of these models. Because people are confused when stable diffusion is so small. They're like, oh, this thing can generate like any image. How is it possible that it's like, you know, a couple of gigabytes? And then, the large language models are like, oh, these are so big, but they're just text in them. What's it like for music? Is it in between? And as you think about, yeah, you mentioned scaling and whatnot. Is this something that you see it's kind of easy for people to run locally or not?…

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