Evidence receipt / preference
Published · transcript-backedKarl Ove Knausgård: preference
8 May 2019 Conversations with Tyler Karl Ove Knausgård on Literary Freedom
“All his characters just appear, and then something happens with them, but there’s no past. I found that incredibly intriguing just because he became the Nazi.”
Source trail
Everything needed to verify it.
- Speaker
- Karl Ove Knausgård
- Attribution
- Verified speaker
- Claim type
- preference
- Recorded
- 8 May 2019
- Publisher
- Conversations with Tyler
Transcript context
…But you read On Overgrown Paths, you feel like you’re there. It’s about self-deception. It’s true, it’s a wonderful book. But I think Hamsun’s theme, his subject, is rootlessness. In a very rooted society, in a rural society, in a family-orientated society like Norway has been — a small society — he was a very rootless, very urban writer. He went to America, and he hated America, but he was America. He had that in him. He was there in the late 19th century, and he wrote a book about it, which is a terrible book, but still, he was there, and he had that modernity in him. He never wrote about his parents. Never wrote about where he came from. All his characters just appear, and then something happens with them, but there’s no past. I found that incredibly intriguing just because he became the Nazi. He became the farmer. He became the one who sang the song about the growth. What do you call it? Markens Grøde. Growth of the Soil.…
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